Image report

The SUD2010 was a very successful second edition of this triennale on urban art in the city of Douala. Many beautiful projects have been presented, or commenced to be continued in the coming years. Thanks to everybody who put their, sometimes endless, energy in this wonderful project; artists, participants, visitors, citizens of Douala, etc, etc.

On the website of the SUD2010, you will find a report in images on all artistic projects of the SUD2010. The SUD logo will guide you through the website. See: www.doualart.org/SalonUrbainDouala2010/

Bili Bidjocka, Jengu Project

All springs run to the river

Bili Bidjocka has been hunting springs all over the city of Douala, wherever water springs and life spreads around it; he creates an itinerary that illustrates the continuous movement and connections that are normally invisible, beneath our steps; he explores a new interface that may enable us to become aware of and take part in the inner life of the city.

Bili Bidjocka is an artist from Cameroon who started and directed the Matrix Art Project Center of Bruxelles and who lives in Paris; his work has been exhibited in many personal and collective exhibitions among which “Africa Remix” as well as the Biennials of Venice, Dakar, Havana, Taipei.

Doual’art has commissioned the work produced by Bili Bidjocka on the theme of water, the heart and center of the reflection of the second edition of SUD – Urban Salon of Douala dedicated to public art which takes place in Cameroon from December 4th to December 11th, 2010.

For doual’art and for SUD Bili Bidjocka has produced a map exhibited on a large wall inside the Art Centre and a series of 180 flags placed both on the only bridge that crosses the river Wouri and near the springs identified during the preliminary research.

The map is a simple portrait of the city seen from above; a drawing on the wall with lines that follow the boundaries of the city. Light blue strings of thread lead the water towards the river and recreate the hair of Jengu. Jengu is the title of the work (Bili Bidjocka & Yves Makongo, Jengu Project Work in Progress: Do It Yourself, SUD 2010); Jengu is also the spirit of the river Wouri, a creature who, in popular tales, will appear either as a siren (like the famous Mami Wata who is part of the tradition of many African countries along the coast of the ocean) or as a small creature with fin instead of hands and feet. If the portrait of Jengu may change in each tale, the common element is represented by its long hair that seduces and captures human beings. This very hair, created with threads of water leading to the river, is the principal element of Bili Bijocka’s map. Douala seen from above through the eye of the artist, is a new portrait of Jengu, an imaginary portrait like all portraits of Jengu’s, an imaginary map like all maps on which symbols, which most viewers can interpret, evoke places.
The map, though, is no common representation of Douala: few of its over 4 million people use maps to surf through the city, few are familiar with air views or the symbols of geography maps.

That is why Bili Bidjocka speaks of real, hidden, imaginary and virtual places. The map, the flags and the research help the viewer to understand their own territory, but also to stop and observe, imagine or recall.

The research and spotting of springs has been carried out by the students of the Faculty of Geography of Douala University. They identified about twenty places in different areas of the city. “But springs are everywhere” – Bili Bidjocka says – “there are springs under homes, and here, and in a number of different places. My springs are both real and imaginary. On the map and on the flags I wanted to acknowledge the importance of springs that are known, but I also wanted to invent new ones because the work of research is a never-ending process.

Everyone may report the presence of other springs, take pictures and tell about them. Bili Bidjocka’s work is in progress and do it yourself, therefore, with the contribution of the community, who is invited to add to the research of new opportunities of access to water.

(text by Iolanda Pensa)

Art in the city

Over the past couple of days during the SUD2010, new art pieces have been inaugurated and presented to the public and the people of Douala in different parts of the city. A selection:

Le Jardin Sonore - Lucas Grandin (FR) in Bonamouti

Diving in Deep - Ties Ten Bosch (NL) in Ndogpassi

La Colonne Pascale - Pascale Marthine Tayou (CAM) in New Bell

New Walk Ways in New Bell - Kamiel Verschuren (NL) in New Bell

Ghorfa #7 - Younès Rahmoun (MOR) in the mangrove

Small update on the ICU visiting program to the SUD2010

(Mami Wata, water spirit)

Yesterday, the 6th of December, the first guests of the ICU visiting program to Doual'art and the SUD2010, left the SUD and Douala. Jan Jongert and Arie van Ziel from 2012Architects have had a very fruitful stay in the city of Douala, and hopefully their Douala Cyclifier proposal will be given the opportunity for a follow-up. Shortly before the first guests left, one of the last guests of ICU visiting program arrived. Wim Schepens had the luck to arrive in the middle of the Dutch Party or, as it was called: La Soirée Hollandaise.

Wim Schepens is director and commissioning editor at VPRO television, a media company in which content takes priority. He made many documentaries and worked on the cross-media project Urban Century, a co-operation of VPRO with the International Architecture Biennale Rotterdam (IABR) in 2009. In his work for the VPRO Wim Schepens’ interest in urbanity plays an important role. He was invited to the SUD2010 to do research on the possibility of making a documentary on Douala, Doual'art and/or the SUD, in perspective of the development of the SUD 2013 and the VPRO project Urban Century, part 2 (2012).

For this weblog Wim Schepens’ wrote down his first impressions:

“Yesterday, I arrived in Douala. Strange how the continent immediately strikes you: Different colours, different smells, and different pace. And don’t stick to your old habits of being strict and punctual. Forget about all that, life is having its own tempo and pace around here. Don’t get angry when ten o’ clock is not ten o’clock.

But let’s not complain, we hardly have any reason to! To begin with, we attended a debate about the mythical culture of the water gods here in Douala. It is something very serious and open for debate. One immediately understands that myths, gods but also witchcraft and the spells that are made are very important to the way live goes on here in Douala.

So far my first impressions after flying in only yesterday evening.”

A cyclifier for Douala by 2012Architecten

For doual'art, 2012Architecten investigated waste-flows that can be redirected into useful purposes for Douala. Superuse of materials that have been neglected or not yet been discovered. This quick scan is part of a three year project in which 2012Architecten want to realize a program or venue that interacts with one or more of these flows and supports a purposeful and sustainable production. This is what 2012Architecten call a cyclifier.

Douala waste-flows
For consumer and small scale building products it immediately became clear that waste is virtually non-existent in the chain of use till a product and the parts of it literally start falling and crumbling apart. The Cameronese happen to be really inventive when it comes to inventing purposes for items that have already served a lifetime. The fridges for example are used a second or even third time, and when the cooling system is irreparable, they are sold to fishermen and their resellers who use the fridges horizontally filling it with fish to keep their products as fresh as possible.
Economically this means that the relative price of second hand goods compared to new products is much higher as it is in Europe, instead of 1/3 or half the price in Douala second hand goods in the informal market can be as high as 90 or 80% of the price of a new product or the product it was taken from. The degraded products generally end up in landfills or are burned on piles even inside the city.
Although in principle everything is re-used and superused, this doesn't mean you won't see piles of materials scattered over the city that clearly have been untouched for quite some time. The reason seems to be that owners seem not to care about it until someone is interested and then ask a price too high to make a deal. Another more promising flow consists of objects in the city that officially have been ordered to be removed. They can be recognized by a red X with signs around it indicating the date of removal by the authorities. Before that, the owner can remove it himself but given the abundance of crosses that are out of date, this deadline is seemingly not taken very seriously. A third opportunity for re-use lies in items too big to be transported within the budget limits of the informal economy. Carcasses of broken trucks, industrial pipes and constructions seem to be neglected by the re-use society.

Socapalm Palmoil Symbiosis
After speaking to the former chairman of the Cameroon Architects Union, the brother of the king Manga Douala-Bell, it was suggested to investigate the palm industry since there is a general neglect of felled palms in the plantations. If treated well, they could supply perfect construction timber that would not only be cheaper than other timber, but would also reduce the general felling of trees.
The team of 2012Architecten visited Socapalm, owner of the largest plantations of palm-oil palms, and interviewed the managing director of their 6,000 hectares Douala plantation. The team entered an unexpected paradise of industrial symbiosis with many flows contributing to activities within or outside the palm-oil production process. Examples such as self refined bio-diesel fuelling the transport trucks and remains of harvest being transformed in electric power for the offices and homes on and around the plantation (see our schematic analysis). Socapalm now cuts trees that are between 25 and 30 years old and leave the trees on site planting new trees in between. They allow local inhabitants to harvest wine from the palms and sell it along the road. Apart from the palm trees, the company owns rubber tree plantations too, of which the trees need to be removed after felling. According to the managing director there is no purpose for this wood, which would have good potential for use in small-scale construction.

When visiting a field, measuring a couple of hectares with palm trees being felled three months ago, 2012Architecten experienced how locals harvest the palm-wine from the trunks. The crown of the tree is cleaned and a bag is put over it. The wine immediately starts flowing. The bags are emptied, and the crowns are cleaned a couple of times a day for maximum of six weeks. Calculations show that about 200 liters of palm-wine can be taken from one tree. Directly taken from the tree, palm-wine is very sweet. After bottling, the sugars start fermenting immediately and the taste changes as alcohol starts forming up until about 10%.

Cyclifer options for Douala
The team’s first ideas for a cyclifier intervention consist of a new bar in town, selling the wine directly from the tree. After emptying the tree, it can be used or sold for local construction. In the palm oil plantation scheme they added some more options that will be further researched in the future. A second option is to use the rubber-wood for constructing plantation workers’ homes.
On a bigger scale 2012Architecten is interested to have a closer look into the interaction with their natural surroundings of different industries and to investigate how the re-development of the harbor district of Douala could be a symbiotic cooperation of activities that constitute the metabolism of Douala.

www.superuse.org

Website SUD2010 is online

The website for the SUD2010 is online. You can read (in French) about the SUD and check the program on: www.doualart.org/SalonUrbainDouala2010

New Walk Ways for New Bell – Faces of Water

Tuesday, 30 November, Kamiel Verschuren started the project New Walk Ways in New Bell – Faces of Water in Douala. The idea for this project came to his mind during a visit to the quarter New Bell in February 2010.

In New Bell and other quarters of Douala, the sewers alongside the streets are completely open and therefore filled with wandering garbage from the streets. The covers on the open sewers, whether they are made from wooden planks or concrete elements, have often been taken away, burned as fuel wood, or are just damaged by usage. They have not been replaced. In the rainy season, this non-functioning draining system often causes huge floods, and affects public health seriously. In the rainy season, the garbage that causes the sewer system to be clogged, rises together with the water level, allowing the water from the sewers to spread into the streets and into the houses, and allowing the water to mix with the fresh water resources.

On the New Walk Ways, large scale text fragments will be made, using black spray paint. To allow the rain to enter the sewer system but to prevent the garbage from entering it, small holes are drilled in the planks re-writing the texts fragments and making them durable. The collection of text fragments relate to the different Faces of Water, to its qualities as a substance, solid, liquid or gas, to its movement, to its reflective nature and its ability to follow any shape that contains it and still be of immense force.
Kamiel Verschuren will re-install about 1 kilometer of coverage on the open sewer system. The intention is not to make a sculpture or artistic object in front of someone’s doorstep, but to address the sense of collectivity in this neighborhood. This week, the first 100 meters of the new walk ways will be finished. In 2011, the next 900 meters will be made.

The work is realized with the help of four young people living in the neighborhood. Every now and then, passers-by spontaneously stop to help or just to have a very thorough look at the work. On the first day of work, many people living in the neighborhood expressed their appreciation. They felt the necessity of the new walk ways very strongly. “L’eau, c’est le sanité”, as an old lady commented: water is sanitation. Still people were throwing in garbage while the work on the system was in progress. For mentality to change, one needs more time and effort, but it is hoped this is a start in changing the way of thinking about water in the city. The expectation is that after some time people will start to feel their responsibility and will take control over their own conditions and act individually as well as collectively to improve their situation.

New Walk Ways in New Bell will be presented in New Bell during the SUD2010, on Thursday 9 December.

On the same day, the work of artists who also have been working in New Bell will be presented, i.e. Pascale Marthine Tayou, Loris Cecchini, Hervé Yamguen, Ato Malinda, and Tracey Rose.

Water - Advantage and Nuisance

Douala is the Cameroonian megapolis. Because of its location within the Gulf of Guinea and within the mangrove swamp at the bottom of the estuary of the Wouri River, the city has a singular relationship with water. This part of the world was mapped in the 16th century by the Portuguese explorers under the name of "Rio dos Camaroes" because of the numerous shrimps on the rib. It was then alternately baptized "Cameroons River" and "Cameroons Town" by the English and “Kamerunstadt” by the Germans. In 1901 it was renamed Douala in reference to the natives.

The cosmogony of the people of Douala and their economy were formerly based on the element of water. Due to the urban settlement initiated at the end of the 19th century by the Germans who conceived the city as a port facility, the original connection with the water source has been lost. Although until this day, the harbour remains a major asset for the economic capital of Cameroon, the river and its geniuses are still very present in the rituals, particularly during Ngondo, a yearly celebration of the Douala people, which takes place in December at the edge of the Wouri.

Douala has the privilege of being an equatorial city, a city that receives vast amounts of water from precipitation and irrigation. What should be an advantage becomes a nuisance. Indeed, every year, during the monsoon season, the numerous neighbourhoods located in the lower areas become submerged in water. Paradoxically, there is a permanent deficiency of drinkable water. The public network of water distribution, badly maintained and often failing, serves only a minority of city dwellers. The greater majority, who live in the disadvantaged and very precarious neighborhoods, have to find alternative solutions to have access to water (wells, drillings, emergent natural sources). This causes serious public health problems, particularly due to the lack of a main drainage system which causes the the soil to become badly polluted.

Didier Schaub, artistic director of Doual'art

Diving in Deep

Ties Ten Bosch writes about his project Diving in Deep for SUD 2010 and Doual'art. He is invited to the SUD through a residency from the Dutch Fonds BKVB, hosted by Doual'art and ICU art projects.

 

Ties Ten Bosch:
"Since two weeks now I'm living in the Bloc du Source in Ndogpassi III. A more deprived area of Douala, but life is good here. The people are very hospitable and we feel very welcome here. I have to say we, because I'm living here with my assistant Lucie Grisey, a student from the School of Arts in Rennes, who will take care of documenting my work. Next to that she is also a great help in teaching me french, which after two weeks I must say, goes pretty well.
Last week, after a few days of mainly observing and getting to know the bloc, I started to work. My first little intervention was to name the house we are living in. Since it looks a bit like a swimming pool on the outside, I've decided to call it 'La Piscine', which I wrote on the facade of the house, using sand and water. A short performance which was witnessed by mostly kids.
Second thing to do was to create my working spot, my so called laboratory, which I named 'Le Plongeoir'. This means diving board, since it will be the place that I use to dive deep in to the life of the bloc.
The coming weeks I will do a lot of small interventions and performances, but the biggest project is constructing a new bridge. Together with the chief, some of his assistants and other people from the bloc, we will make a bridge big enough for cars. This is very important for the life in the bloc and people are therefor very enthusiastic. The first two weeks passed very quickly and a lot of work still needs to be done, but I think it's possible to create something good."

More about Ties' works and adventures, on his personal blog at www.tiestenbosch.com

Le Jardin Sonore de Bonamouti

“An elevated garden growing at the sound of falling water. A water recovery system, a garden contructed with the local biotope, a free social meeting space, an architecture to reflect on the element of water and its cultural and social resonances.” With this words French artist, Lucas Grandin, describes the project Le Jardin Sonore de Bonamouti made within the framework of the Salon Urbain de Douala (SUD), a tri-annual festival for public art designed and organized by Doual’art, center for contemporary art in Douala, Cameroon, in cooperation with ICU art projects.

At each triennial, a theme is selected to provide a framework for the artistic interventions and for this year’s SUD the guiding topic was ‘water’. Having grown from a couple of small villages on the banks of the Wouri river, Douala has always had an important relationship with water. Based on this, Grandin’s Jardin Sonore holds a direct relation to the city’s origins and present conditions : “this structure was made to reveal the why of the city of Douala: a water city where you can’t see or feel the water anywhere. Douala is a city where it rains in one hour what it rains in my country in one year, and where the rain is never recovered. ” Hence, through this structure the artist intends to offer the community a free meeting place in Bonamouti where people can regain conscience of the importance of water in their lives, “to give back Douala its right to water”. This is a space where people can go “to rest with the water’s melody, to smell the flowers, to see the Wouri river and its original mangrove, to feel the wind of nature... a new social area to talk, to plant, to listen, to re-create new inter-generational communication through the garden.”


Read more on Arts Collaboratory.org

Visiting Program: the visitors

The SUD2010 is approaching rapidly and the list of people who have confirmed their visit to the SUD2010 in Douala, Cameroon, by invitation of Doual’art and ICU art projects is growing. The following people have comfirmed their stay:

• Lard Buurman, photographer (the Netherlands) 
• Ingrid Commandeur, editor/art critic/publisher (the Netherlands) (couldn't make it eventually)
• Jan Jongert, architect, 2010 architecten (the Netherlands) 
• Kaleb de Groot, artist (the Netherlands)
• Bart-Jan Hooft, architect, RAW foundation (South Africa / the Netherlands)
• Geert Hutsebaut, artist/designer (Belgium/the Netherlands) 
• Hans Kennepohl, journalist/philosopher (the Netherlands) 
• Arie van Ziel, 2010 architecten (the Netherlands) 
• Berend van der Lans, editor ArchiAfrika (the Netherlands)
• Calanne Moroney, architect, RAW foundation (Ireland/the Netherlands) 
• Xandra Nibbeling, communications manager and cultural producer (the Netherlands)
• Arno van Roosmalen, director Stroom (the Netherlands)
• Wim Schepens, documentary maker/VPRO (the Netherlands) 
• Kamiel Verschuren, artist (the Netherlands)

Competition BLUEPRINTS OF PARADISE: imagine future built Africa!

Africa is planning for the future. Some projects, like the 2010 World Cup in South Africa, affect the entire world. Others, like the works of Pierre Goudiaby Atepa, Doual’art, or the team of Takako Tajima and Aziza Chaouni, are locally focused.

With BLUEPRINTS OF PARADISE, the Afrika Museum (Berg en Dal) and African Architecture Matters (Utrecht), two organizations based in the Netherlands, have recently launched a great and challenging competition in which the new generation of African architects, artists and visionairies are given the opportunity to present their thoughts and plans for the future of built Africa: Africa’s Next Top Model? Further information can be found at www.afrikamuseum.nl/blog.

To turn BLUEPRINTS OF PARADISE into a successful event and to collect as many presentations as possible of future aspirations we are looking for as many participants as possible for this great and challenging competition.

The presentations must be submitted before the competition deadline of 15 October 2010.
Please register yourself and find more information at www.afrikamuseum.nl/blog!

Diving in Deep

From the first of November till the end of SUD 2010, Dutch artist Ties Ten Bosch will live and work in Ndogpassi III, one of the more deprived area's of Douala. In this area he will open his laboratory, which will function as an atelier, gallery, shop and base for all interventions he will do in the area. 

While the theme of SUD2010 will be 'water', Ties will focus his interventions on the natural source in the center of the area that is being used for drinking, washing and cleaning. But also on the little river running through the area and the bridges that cross this river.

From the 18th of June till the 4th of July 2010, Ties was a guest at Doual'art to do his first studies. Together with Paulin Tchuenbou and Yves Makongo he visited the area of Ndogpassi a few times and was very inspired by the area and the possibilities there, but also very taken by the problems around the subject of water there. With his laboratory that he will run for a month and a half he will try to bring an ongoing energy as well as new creative solutions to get attention for the problems with the water. Attention not only from the people in the neighborhood, who will be asked for collaboration, but also attention from the visitors of the SUD.

To be continued...

Ties Ten Bosch is an artist in residence in Douala offered by Fonds BKVB

something about Water

As all over the world, water plays an important role in Douala. The city originally grew from a couple of small villages on the banks of the Wouri river. The inhabitants of these villages were known as the Sawa, ‘the water people’. It is the general belief that the people from Douala arose from the water, and since then have been living from the water and with the water. It has always been an inextricable and important part of their lives.
Many years later, under the rule of German government in Cameroon (from 1884 until 1916), the harbors of Douala were built right on the waterfront, as a result of which the people from Douala no longer had a direct access to the water and were thus deprived from their original way of living. In the development of the city that followed, the many small rivers and canals within the city were cut off from the Wouri and from each other, leaving behind a non-functional infrastructure of small canals, creating annual problems to the most poor, and often illegal residential settlements within the city.

all about SUD 2010: visiting program Doual’art

9 – 17 June 2010 Rotterdam, Amsterdam, The Hague

The visiting program All about SUD2010 in June 2010 was an effective and enjoyable week of hard work. A lot of meetings and conversations in Rotterdam, Amsterdam, and The Hague brought us steps closer to the realization of the SUD2010.

The week started on Wednesday 9th of June in Brussels where Marilyn and Didier attended the opening of GEO-graphics at BOZAR Brussels, in which Doual’art participated. The following day, after the arrival of Paulin Tchuenbou, Lucas Grandin, Marilyn and Didier in Rotterdam, everybody had the opportunity to settle in, and Ties Ten Bosch – the first Dutch official artist-in-residence to be sent out by the Fonds BKVB to Douala – got to meet his Cameroonian hosts to be. Lucas Grandin, from France, showed his Jardin Sonore Ambulant, which he built earlier in April, a mini-model of the Jardin Sonore he had built in Douala in February 2010.

Friday
On Friday, the actual visits to the various institutions started. First, we visited the Netherlands Architecture Institute (NAI) where we had an inspiring conversation with Fanny Smelik, to be followed by the presentation in TENT., where RAW foundation was invited as a guest speaker because of the possibility to rebuild the pavilion of Doual’art into a residency, in a sustainable way. Christine Eyene – curator and journalist, born in Paris from Cameroonian parents and now living and working in London – was also present. She and other the guests, joined us after the presentation for an informal welcoming diner at B.a.d foundation.

For the presentation in TENT., the people from TENT. had kindly prepared the space for the presentation, and after they had welcomed all visitors and guests, Marilyn presentend Doual’art and the aims of SUD2010. She explained the necessity of the SUD for the city of Douala, and the importance of the theme Water. Also, she introduced all artists that will be taking part in the SUD2010.

The weekend
In the weekend we spent a lot of time working on the SUD; preparing the applications, working on the planning, preparing the visiting program for the SUD2010, et cetera. Besides this serious work, there was time for some ‘fun work’, like visiting 2012 Architects, Jan Jongert and Iris de Kievit, where Christine de Baan (director of Dutch DFA) passed by to join us and meet Marilyn. We also visited the Maasvlakte 1 & 2 and the Rotterdam Waterfront to see the transformation of the Rotterdam riverside from harbor to service economy.

The last days
On Monday, we went to The Hague to visit Hivos and the Embassy of Cameroon. In Rotterdam we visited George Brugmans, director of the International Architecture Biennale Rotterdam (during the Netherlands’ first football match in the World Championship – against Denmark, Cameroon would follow later).
Tuesday 15th of June was reserved for a visit to Amsterdam, with meetings at the Fonds BKVB, the Prins Claus Fund, the Mondriaan foundation, and Raw Foundation.

After the last meeting, everyone went home one by one. Marilyn went first to Paris, Christine to London, Paulin and Didier went directly to Douala, and Lucas to France. On Thursday 17th of June, Kamiel Verschuren of ICU art projects and Ties Ten Bosch left for Douala for the Ars&Urbis 2010 and for Ties’ first part of his residency in Douala.

11 June: Reception and Presentation Doual’art in TENT. Rotterdam

All about SUD 2010

Friday 11 June, at 5 PM in the auditorium of TENT./Witte de With, center for contemporary art, in Witte de Withstraat 50, Rotterdam.

Doual'art (www.doualart.org)

Doual'art will present the ambitions and projects for the SUD, Salon Urbain de Douala 2010, which is a tri-annual, urban international art manifestation in the quarters of Douala, the biggest port in western Africa. Topic of the SUD is aimed at the search for concrete urban problems and the cooperation between artists, communities, architects, urbanists, writers, designers, and curators. The theme of this year’s SUD is "water in context of the city" which has been the subject of preparatory research over the past three years.

RAW foundation (www.rawprojects.org)

The presentation of Doual'art is followed by a guest presentation by RAW foundation. In a wider collaboration named RAW Studios, the architects Calanne Moroney and Bart-Jan Hooft have been working in South Africa, investigating and experimenting on new ways of building. They will show some of their projects and experiments.

All About SUD was made possible with the support of Fonds BKVB, Mondriaan foundation, and TENT.CBK

Lucas Grandin (F) - Jardin sonore ambulant - 28 April, 8 PM - Aether, foundation B.a.d., Rotterdam

This event will still take place:

Aether, on Thursday 28 April 8 PM at B.a.d in Rotterdam http://www.foundationbad.nl/

The project "Jardin sonore ambulant" is a prolongation of the first Douala sound garden, created January 2010 in the neighborhood Bonamouti, Douala Cameroon. This is an elevated garden growing at the sound of the water.

Different kinds of sound are directly conducted by the plants partition need of water. The water is collected by rainfall, stocked in barrels and offered to the vertical garden trough transparent tubes using a hydrophonic dripping system. Drops of water drip into cans of different sizes, creating notes, producing foods.

The Douala sound garden 2010 is a sound machine, a water organ, a vertical vegetable garden and a meeting place as a new environmental, social and economical food processor.

The "Jardin sonore ambulant" introduces movement to the garden using an instrument of consumption: the Caddy. The caddy container opens a new way to think about a garden, a new way to reconsider consumption within the city.

About the work: Sound!
Whether this is a noise, a musical idea or material, it is a natural energy as much as a message or social demand. Sound as a strength or music as an identity? Here lies Lucas Grandin´s raw material. The execution in itself assumes various shapes: acoustic or video installations, sound performances, diverted machines, but its foundations always lay on recycling, either material or ideological (copyleft, lowtech). The creation also steps in the assembling of the topics and materials around the concerned object. The creation can be individual, as well as common, creation within artist's collective frameworks (Brouha Aah, Boubagogoth) or one-day groups (Métropolyphone, The fourty-eight hours soundly tools show, Douala feed back...). Against the trend of an idea of art being fragile, precious or mercantile, Grandin´s work lies above all in a playful approach of an ideas meeting.